Maybe He looked indeed
much as Rembrandt
envisioned Him
in those small heads that
seem in fact
portraits of more than a
model.
A dark, still young, very
intelligent face,
A soul-mirror gaze of deep
understanding, unjudging.
That face, in extremis,
would have clenched its teeth
In a grimace not shown in
even the great crucifixions.
The burden of humanness (I
begin to see) exacted from Him
That He taste also the
humiliation of dread,
cold sweat of wanting to
let the whole thing go,
like any mortal hero out
of his depth,
like anyone who has taken
herself back.
The painters, even the
greatest, don’t show how,
in the midnight Garden,
or staggering uphill under
the weight of the Cross,
He went through with even
the human longing
to simply cease, to not
be.
Not torture of body,
not the hideous betrayals
humans commit
nor the faithless weakness
of friends, and surely
not the anticipation of
death (not then, in agony’s grip)
was Incarnation’s heaviest
weight,
but this sickened desire
to renege,
to step back from what He,
Who was God,
had promised Himself, and
had entered
time and flesh to enact.
Sublime acceptance, to be
absolute,
had to have welled
up from those depths
where purpose
drifted for mortal
moments.
--Denise Levertov,
Salvator Mundi Via Crucis,
A Poem for Good Friday
Image source: Rembrandt, Head of Christ (1648)
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