In 2009, the Catholic artist Alfonse
Borysewicz was inspired to create a series of three paintings representing the
Triduum, that period of three days
that commemorates Jesus’ last moments, from the Last Supper to the
Resurrection. The genesis of the
resulting work is fascinating in its expression and exploration of the artist’s
deep faith, in particular as he tackled the task of representing Good Friday
and Holy Saturday.
Borysewicz’s trademark image is a deflated
hexagon, related to the shape of a honeycomb.
To create this particular work, Borysewicz chose to represent the tomb
with such a hexagon, yet painted Jesus’ face over the entrance. Coming back to the work a few months later,
Borysewicz decided, he says, to efface the face, replacing it with a red Pièta and
softening the outline of the face to an oval, which, over time, was transformed into the shape of a skull.
Fully a year later, Borysewicz removed the
canvas from the wall and reintroduced the body of Jesus, though not, for the
most part, the Virgin Mary. The skull was
transformed into a representation of the sacred heart of Jesus, albeit black,
swathed in a honeycomb, what David Van Biema has called, Borysewicz’s personal symbol of community and hope. A cross in the upper left corner has now
become two angels. And voilà: as Van Biema notes, It is no longer a Holy Saturday painting. It is Borysewicz’s own variation on life out
of death through Jesus, untethered from the specifics of the sacred calendar.
Evolution is at the heart of the
Triduum. Join us this week and see where
your reflections on Jesus’ Last Supper, Passion, Entombment and Rising take you…
To see all of the
different stages of this painting,
and to read David Van Biema’s complete
article
(on which this post is based), click here.
To see the three
paintings together –
Holy Thursday, Good
Friday/Holy Saturday, and Easter,
visit
the artist’s website: http://www.alfonseborysewicz.com/_pages/triduum_paintings.html
Image &
article source: https://religionnews.com/2016/06/16/alfonse-borysewiczs-lonely-struggle-gives-catholic-art-a-modern-face/
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